Game On: With such a long gap since Max Payne 2, what considerations did you have to take to bring Max up to speed with modern times?
Kevin Hoare: We had to consider what the first two games had accomplished, firstly. Max Payne was an incredibly groundbreaking game at the time in terms of both storytelling and gameplay. In terms of characterization, it was one of the first action games to have a fully developed protagonist - the use of comic-book cutscenes and Max’s noir-inspired internal monologue really put you in his head in a way most action games didn’t do back then. And then there’s the gameplay, which brought that highly choreographed Hong Kong action movie style into videogames by introducing Bullet Time. Bullet Time was never just about slow motion – it was about the idea that you could move and react to every bullet.
So the initial goal was to modernize Max Payne gameplay. Max
is a game about choreographed gunplay combined with stylish, fluid
movement (both in real time and in Bullet Time). We didn’t want to
sacrifice a thing, we wanted first-person precision and ease of
targeting but we wanted all the things we love about third-person games
in terms of being able to see your character move believably. So thanks
to literally thousands of blended animations and physics states, you can
aim and move in any direction you want at any time and in a whole range
of poses – prone, vaulting over cover, during a shoot-dodge – and
you’ll never lose your target, and Max appears to move naturally while
you do it. Max can do his classic slow motion shootdodge dive in any
direction, and he can now shoot 360 degrees from a prone position. At
all times, the character gets out of the way of the reticle in a natural
and believable way, and it makes Max Payne 3's combination of shooting and movement really satisfying to play.
We also implemented NaturalMotion’s Euphoria character behavior system (the same animation egine employed in Grand Theft Auto IV and Red Dead Redemption -- Ed) into Max, more so than we’ve ever done in a lead character before. So Max responds to the world around him more realistically than ever – he’ll brace for impacts by tucking in his head if you throw him toward a wall, or he’ll lean out a hand if you dive him over objects. We also made sure to create separate animations for certain movements in Bullet Time as opposed to real time. We wanted every detail to be as close to perfect as we could get, so Max has a real sense of weight and purpose to the way he moves.
Max Payne 3 has a really intuitive cover system, something that was not around at the time of the original games, but it’s really more of a place to take a break, reload and strategize rather than the core gameplay mechanic. Max still uses painkillers for health rather than regenerating health, so hiding in cover doesn’t have the same advantages it does in a cover-based shooter. You have to keep moving or the A.I. will eventually flank you and flush you out.
Some things do not change – Max is still a pure shooter based on free-aim mechanics, though we do offer a range of aim sensitivities and targeting options for more casual players.
The Max Payne series has always been known for its wonderful art direction and take on the film noir setting; did you find it somewhat difficult to keep creating a new story while still sticking true to the setting you've established?
KH: Not at all. There’s an assumption that the location change meant that we were abandoning the game’s noir sensibilities, but everything about the game is very true to noir; it’s just less about winter in New York (although we have a lot of that too), which is not in itself that attached to noir. We wanted to continue to push Max’s story forward in a way that made sense for the character and the criminal undercurrents at all levels of Sao Paulo society are a fantastic place to put an armed, alcoholic ex-cop with a really troubled past and some serious personal issues. To be honest, to us a drunk, world weary ex-cop working for a glamourous rich family full of secrets (and unwittingly getting involved in a story that is bigger than it seems) is about as noir as it is possible to be.
You have James McCaffrey as not only the voice of Max Payne, but also the model. How different was it to have him taking on both roles for this game?
KH: It really helped to ground everyone’s performance. Suddenly James is not a disembodied voice but he’s there physically performing scenes with other actors, including some of the less stressful stunts. When you see Max leaping around the environments and shouting out as he thuds against a wall or the floor, that’s James. It helped flesh the character out as well – we now still have Max’s great monologues, and we have our own take on motion-comic cutscenes, but they’re also blended with traditional cutscenes to give the game its own unique feel.
This is the first Max Payne title developed by Rockstar Studios (a collaboration of Rockstar Vancouver, Rockstar New England, Rockstar London, and Rockstar Toronto) as opposed to Remedy on their own. How did this change development?
KH: We’ve been working on and off on this game for several years and Rockstar always had a very strong idea of what this game would be – we were trying to make what we thought a Max Payne game should be in the modern era, which is basically the most sophisticated and cinematic action-shooter we could possibly make. Studios share talent on most Rockstar games, but this was the first project that explicitly called it out as complete cross-studio collaboration, overseen by the core team in New York. It’s important that you have a level of consistency across the board when multiple studios work together, and we’re very lucky that the two founders of the company (Sam and Dan Houser) are very much involved in the creative process to keep everything together.
How much did you consult Remedy when you first took on the IP?
KH: We actually published the first two games, so we’ve been working with Remedy and been friends with them since pretty much the inception of both companies; in fact, we bought the IP around the time Max Payne 2 shipped. We remained friends with them since publishing the original two games, so it was natural to share builds with them as the game took shape and they’ve been nothing but supportive, which is a huge compliment. Early on they were somewhat distracted making Alan Wake, but they became more involved later on as their time allowed. For people who really want to glue Max Payne 3 and Max Payne 2 together or just want a refresher course in Max’s backstory, the 3-part comic series we are releasing (written by Dan Houser and Remedy’s Sam Lake) really covers the missing years. You can download the first issue now – issue 2 and 3 are out in the next few weeks.
Max is older and heavier, but you've used that to your advantage and had that affect the gameplay in different ways. What are some of the ways that Max's age changes things up a bit?
KH: There is definitely a sense of weight to the way he moves. Trying to create a third-person game that really felt good and animated beautifully was a massive part of what we were aiming for. That has an impact on gameplay in the sense that we didn’t want him to be an artificial game character that skates on artificial steps – we want his movement to be deliberate and believable. Every step Max takes is a real step; we want people to see the most realistic character we could possibly make on screen.
A while back you released your PC spec requirements. Some of them seem pretty hefty, which leads me to believe that PC was the lead platform. Is this the case?
KH: We didn’t have a lead platform; we opted instead to develop each platform in parallel, with each team focusing on the specific requirements of the hardware as we went along. That way, we could bring out all three versions as close to each other as possible, while still getting the most out of each specific platform. We’re really happy with how that turned out for the consoles, but we’re even happier with what it’s meant for the PC. We’ve closed the gap between console and PC release dates, which is something the community had been wanting us to do for a long time, and the PC version has been tested on a huge range of hardware.
In terms of the original list of specs we distributed, they were the extremes of the entire range that we had tested, from the lowest players could reasonably run, through to the most powerful rigs we could put together. We know that variety and customization is one of the strengths of the PC platform, so if you’re a hardcore PC player with an incredibly customized rig, our game is going to shine on your system. If you’re coming in at the bottom end, you’re still going to be able to have a great time playing Max Payne 3.
To give you another example, here is a more comprehensive breakdown of our recommendation on PC specs:
LOWEST TESTED SPECS
Windows 7/Vista/XP PC (32 or 64 bit)
Intel Dual Core 2.4 GHZ or AMD Dual Core 2.6 GHZ, or better
2GB System RAM
NVIDIA® GeForce 8600 GT 512MB RAM
or AMD Radeon™ HD 3400 512MB RAM
Low Recommended Specs
Windows 7/Vista/XP PC (32 or 64 bit)
Intel Dual Core 3GHz or AMD equivalent
3GB System RAM
NVIDIA® GeForce 450 512MB RAM
or AMD Radeon™ HD 4870 512MB RAM
At this level, you will be able to comfortably run the game at 30 frames per second with a 1920 by 1080 screen resolution.
High Recommended Specs
Windows 7/Vista (32 or 64 bit)
Intel i7 Quad Core 2.8Ghz or AMD equivalent
3GB System RAM
NVIDIA® GeForce 480 1GB RAM
or AMD Radeon™ HD 5870 1GB RAM
At this level, you will be able to comfortably run the game at 60 fps at 1920 by 1080.
Highest Tested Specs
Windows 7/Vista (64 bit)
Intel i7 3930K 6 Core x 3.06 GHZ
or AMD FX8150 8 Core x 3.6 GHZ
16GB System RAM
NVIDIA® GeForce® GTX 680 2GB RAM
or AMD Radeon™ HD 7970 3GB RAM
Of course, higher-spec rigs than those that we tested should also have no problem with the game – these tested specs are our way of letting everyone know that a massive amount of work has gone into ensuring that nearly any PC in this range will be able to run the game comfortably.
Fans want to know: will we be seeing more drug nightmare scenes in Max Payne 3?
Given all that Max has been through, the amount of booze and painkillers that the man has taken to try and block out the events of his life, and the predicament that he finds himself in once he arrives in Sao Paulo, it’s safe to say that his life becomes something of a nightmare. We relay that feeling to the player not just through one level, but through Max’s experiences as you progress through the game.
What are you doing to take advantage of the powerful hardware available in a PC?
As you can see from the specs list above, we’ve worked hard to make sure the game will run smoothly on a wide range of PC builds. But it’s when you get towards the top end of that range that you can really push a game to its limits, and the game will look and run incredibly on the most advanced current machines around at the moment and well into the near future.
You’ll find that screen resolution is scalable, there’s triple and even sextuple monitor support which helps to run higher screen resolutions, there’s various anti-aliasing options, scalable water quality, scalable shadow quality, increased detail for characters and vehicles and a scalable texture filter that further increases visual quality. We’re also supporting DX11 with Max Payne 3, with features including Hull/Tessellation/Domain Shaders (which adds curvature to the character/vehicle models), Gather4 (for optimized shadow sampling / FXAA), Geometry shader / Stream Output and DX11 texture samplers to name a few.
As you can tell, there’s a lot for PC fans with higher-spec hardware to sink their teeth in to.
Both, and more. As we said earlier, one of the goals with Max Payne 3 on PC was to have a game that runs beautifully out of the box on day one across a wide range of machines. The PC is the only platform where you can really max out the high end if you want to, and we wanted Max Payne 3 on PC to have the potential to look beautiful on the highest possible resolutions on the biggest monitors available - so while we can still scale performance down to suit even reasonably low-end rigs, every asset is available at the highest resolution possible, from audio to video to textures.
The installed size of Max Payne 3 is due to the no-compromise quality of its assets, which already push console disc space to the limits. A good portion of the extra space requirements on PC can be attributed to the increased size of the textures, which are four times the size of those on consoles. In addition, the audio quality is significantly higher than the consoles due to lower compression rates, which improves audio fidelity. Again, this comes back to the range of possibilities that the PC platform opens up for us. That, combined with higher video settings when running the game, results in substantially better visual quality.
Assuming that there's full gamepad support, do you find that the gamepad works as well as the mouse and keyboard in Max Payne 3?
Correct, there is full gamepad support with Max Payne 3. We also wanted the kind of customizable options you get within a PC game to transfer over to the gamepad so players will be able to completely fine-tune the aiming mechanics to tailor them to their playing style and preference, something that PC gamers have come to expect with mouse and keyboard controls. You can change the reticule, alter the horizontal and vertical reticule speeds, remove or amend kill indicators, not to mention selecting your preferred aiming mechanic. It’s also worth mentioning that console players will also have these options; everything within this game across all platforms is about customization and player preference.
Thanks for reading, and keep an eye peeled for the PC version of Max Payne 3, which debuts on June 1st. Stay tuned for our full review!
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